Notable characters include The woman in Red, 18 19 introduced in Standard Comics ' thrilling Comics #2 (March 1940 lady luck, debuting in the sunday- newspaper comic-book insert The Spirit Section June 2, 1940; the comedic character Red Tornado, debuting in All-American Comics #20 (nov. 1941 the Black cat, 21 22 introduced in Harvey comics ' pocket Comics #1 (also aug. 1941 and the Black canary, introduced in Flash Comics #86 (Aug. 1947) as a supporting character. 23 The most iconic comic book superheroine, who debuted during the golden Age, is Wonder Woman. 24 Modeled from the myth of the Amazons of Greek mythology, she was created by psychologist William moulton Marston, with help and inspiration from his wife Elizabeth and their mutual lover Olive byrne. 25 26 Wonder Woman's first appearance was in All Star Comics #8 (Dec. 1941 published by All-American Publications, one of two companies that would merge to form dc comics in 1944.

blank superhero capes Fiction house 's Jungle comic. 1940 credited to the pseudonymous "Barclay flagg". 15 16 The Invisible Scarlet o'neil, a non-costumed character who fought crime and wartime saboteurs using the superpower of invisibility created by russell Stamm, would debut in the eponymous syndicated newspaper comic strip a few months later on June 3, 1940. 17 One superpowered character was portrayed as an antiheroine, a rarity for its time: the Black widow, a costumed emissary of Satan who killed evildoers in order to send them to hell — debuted in Mystic Comics #4 (Aug. 1940 from Timely comics, the 1940s predecessor of Marvel Comics. Most of the other female costumed crime-fighters during this era lacked superpowers.

Often at least one of these supervillains will be the superhero's archenemy. Some long-running superheroes such as Batman, spider-Man, superman, wonder Woman, hulk, green Lantern, the Flash, captain America, thor, wolverine, iron Man and the x-men have a rogues gallery of many villains. Contents History edit main articles: Superhero fiction History, history of comics, and Superhero film Early history edit The word ' superhero ' dates to at least 1917. 6 Antecedents of the archetype include such folkloric heroes as Robin hood, who adventured in distinctive clothing. play the Scarlet Pimpernel and its spinoffs popularized the idea of a masked avenger and the superhero trope of a secret identity. 7 Shortly afterward, masked and costumed pulp fiction characters such as Jimmie dale/the Gray seal (1914 zorro (1919 The Shadow (1930) and comic strip heroes, such as the Phantom (1936) began appearing, as did non-costumed characters with super strength, including Patoruzú (1928 the comic-strip character. S, both trends came together in some of the earliest superpowered costumed heroes such as Japan's Ōgon Bat 9 10 (visualized in painted creme panels used by kamishibai oral storytellers in Japan since 1931 mandrake the magician (1934 superman in 1938 and Captain Marvel (1939). The precise era of the golden Age of Comic books is disputed, though most agree that it was started with the launch of Superman in 1938. 14 Superman is the most recognizable superhero to this day. 14 The success of Superman spawned a whole new genre of characters with secret identities and superhuman powers the superhero genre. 14 1940s edit during the 1940s there were many superheroes: The Flash, green Lantern and Blue beetle debuted in this era.

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For other uses, see, superhero (disambiguation). A superhero (sometimes rendered super-hero or super hero ) is a type of heroic stock character, usually possessing supernatural or superhuman powers, who is dedicated to fighting the evil of his/her universe, protecting the public, and usually battling supervillains. A female superhero is sometimes called a superheroine (also rendered super-heroine or super heroine although the word superhero is commonly used for females also. Superhero fiction is the genre of fiction that is centered on such characters, especially in American comic book and films since the 1930s. By most definitions, characters do not require actual superhuman powers or phenomena to be deemed superheroes. 1 2 3, while the m definition of "superhero" is "a figure, especially in a comic strip or cartoon, endowed with superhuman powers and usually portrayed as fighting evil or crime 4 the longstanding, merriam-Webster dictionary gives the definition as "a fictional hero having extraordinary. Terms such as masked crime fighters, costumed adventurers or masked vigilantes are sometimes used to refer to characters such as the Spirit, who may not be explicitly referred to as superheroes but nevertheless share similar traits. Some superheroes use their powers to counter daily crime while also combating threats against humanity from supervillains, who are their criminal counterparts.

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Because to him life is one big, ironic joke. The joke being that youre a sucker if you believe there is any justice or purpose in our lives. The strong take what they want, and the weak dont. Who would you rather be? His philosophical differences with Nite Owl are fascinating, and his emotional dealings with both iterations of Silk Spectre show his best and worst sides. Rorshach (Walter kovacs rorshach sees the world in black and white, a simple dualism of good and evil. He was bullied as a child, railed against his prostitute mother, and developed an intense and smoldering hatred for the worst aspects of humanity. This hatred is so all-consuming that it leaves little room for sympathy for the common man. As a form of self-validation, rorshach spends all his time hunting down criminals of the streets, beating and killing them without mercy.

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Or maybe it just seemed like a cool idea and you didnt have any other particular plans. There are so many themes explored in Watchmen that you could easily teach a college lit course about it, and there are in fact such classes, though I was never fortunate enough to donkey take one. Our very own FanLit comic expert Brad tells me he has taught this text many times to many of his students. Its guaranteed to produce a lot of amazing discussions, Im sure. Its also clearly intended to be read multiple times, and ive read it twice. So laserbehandlung to avoid driving myself insane trying to cover every aspect of this multi-layered work of art, Im going to stick to the central theme of what is a superhero, and why be one? One of the great aspects about Watchmen is that it is a deeply moral work that concerns itself with justice, free-will, evil, despotism, hubris, and yet it never spells out its agenda, or cheapens its characters by making them mouth-pieces for the authors pet ideas.

Of course each character explores aspects of the superhero concept, but none of them fit that Golden Age stereotype with bulging muscles, a square jaw and deep voice, and an untiring drive to fight crime. Below is a basic synopsis of the main characters of Watchmen. There is an earlier set of superheroes that arose in the 1940s and 1950s in this alternate reality, but I wont even attempt to describe them. They form the basic conceptual framework for superheroes, but Im most interested in the characters who drive the main story arc in the 1980s: the comedian (Eddie blake this guy is a big, cynical and amoral thug. He revels in conflict and violence although ostensibly falling under the superhero rubric, he quickly finds he has no problems taking down Latin American dictators as a government operative. He also takes great pleasure in killing badguys, which in vietnam basically meant everyone opposed to us forces. Machine guns, flame throwers, fists kicks, its all good to the comedian.

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Thats not a normal career. In fact, how do superheroes earn income? Do they pay taxes? Do they take those costumes to a dry-cleaners or hand-wash only? The more you think about it, the more ridiculous it sounds.

We all know that crime pays, but what about crime-fighting? You dont get much besides the keys to the city, a handshake from the mayor, and the thankful smiles of a grateful citizenry. So wanting to be a superhero is something internally-driven. The thrill of anonymity, perhaps, or the desire to become someone more exciting than the everyday prosaic middle-aged tax accountant with the nice house, pretty wife, 2 cars, golf membership, kids and a dog. Then again, maybe you really have a grudge against crime and want to champion the weak. You might have been the victim of a terrible crime and vowed to dedicate your life to protecting people from such a fate.

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Its very likely that Watchmen (and Frank millers dark knight reinterpretation) deserve a lot of credit for that trend toward dark, complicated, and twisted superheroes, to the point where the term hero comes into question. In Watchmen there may be a lot of characters dressed in costume, but youd be hard-pressed to identify the superheroes among them. In fact, its fair to question whether they are super at all. The characters of Watchmen are all attracted to the idea of the superhero, that person with extraordinary abilities who uses them to fight crime and injustice. And while there is certainly one character manicure (Doc Manhattan) who has incredible powers far beyond most superheroes, he is distant and uninvolved in human affairs despite his human origins and love interests. Watchmen asks the disarmingly simple question, What is a superhero, and why would anyone want to be one? I mean, theyre dressing up in tights and spandex and going around beating up criminals.

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The stories seemed too simplistic (just a preconception i didnt actually read them) and filled with kapows and thwackts ala Adam Wests classic Batman tv series. Once i was actively reading 500-page sff novels as a teenager, i simply assumed that comics could not achieve the same depth of story and character that books can. However, over the last two decades Hollywood has discovered what an absolute treasure trove comic book superheroes are. Theyre frequentie ready-made franchises with thousands of episodes and story-arcs, iconic characters that everyone knows, and tons of product tie-in potential. Its been a bonanza for marvel and dc, the two industry heavy-hitters. And most people now know who Frank miller and Stan lee are. One of the biggest trends of more recent years has been the increasingly dark and complicated nature of super heroes. You need look no further that the original Tim Burton versions of Batman from the 1990s to the incredibly dark vision of Christopher Nolans dark knight series.

In fact, until recently it was the only graphic novel (other than Frank millers sin city series) Id read in the past 25 years despite a logo life-long love of sff. I think watchmen addresses a lot of the reasons why i wasnt interested in comics all that time. Theyre right next to sff books in the bookstore, and they feature stories that are mostly fantastic in nature. Not only that, but they having amazing cover artwork that really catches the eye. So whats the problem? I guess my memories of comics are from the mid-1980s, and back then when I read. Joe and transformers, im pretty sure i was just brain-washed by hasbro. The stories werent great and neither was the artwork. I was never really interested in superman, batman, the avengers, x-men, etc.

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Watchmen: Changed the genre forever (Graphic novel movie review). Originally posted at, fantasy literature, what more can be said about this brilliant, game-changing graphic novel from 1987? It challenged, deconstructed, and redefined the superhero story to the point that its hard to imagine any comic book writer not being fully cognizant of Alan moore and dave gibbons Watchmen when they put pen to paper (or finger to keyboard). Despite it coming out almost 30 years ago, its remained continu. Despite it coming out almost 30 years ago, its remained continuously in print with its iconic yellow smiley face with a drop of blood. Most fans consider it the greatest graphic novel ever written, and Time magazine named it one of the 100 best English-language novels. Im not an expert in comics or hoofdhuid graphic novels, but I wouldnt disagree.

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